Outro track вЂGood Ones GoвЂ™ sees Drizzy reminiscing regretfully over a lost love (вЂњ The good ones go, if you wait too longвЂќ) and a Weeknd-styled backing track. вЂњ Look like we in love, but only on camera,вЂќ he growls, as what sounds like a New Jack Swing sample recorded off the radio plays. Paranoid or battle-weary? ItвЂ™s hard to tell at this stage.ДЄ slightly dark, low slung bass line and sparse drum beat finds Drake warning a new love that thereвЂ™s a difference between on-stage chemistry and real love. Lyrically DrakeвЂ™s under the cosh again negotiating the male/female divide, fending off the haters and fans who have their knives ready. ItвЂ™s all very вЂCollege DropoutвЂ™ and Rick RossвЂ™ verse gives this air-punching track some vocal gravitas (but also some comic relief).

Producer Just Blaze creates a majestic soundscape, a gospel choir, a refracted orchestra and an old skool sample. Drake reels off the qualities he loves in his lady, before Nicki and does what she does best вЂ“ drop a spotlight-stealing verse (possible because of her Dolly Parton reference). It doesnвЂ™t reach the blissful places that their last team up (вЂMoment For LifeвЂ™) did, but вЂMake Me ProudвЂ™ is stillвЂ¦ pretty good.

A shout to Aaliyah here, a reference to Nicki Minaj and вЂњ uptown shitвЂќ there, this feels slightly retrograde compared with some of the futureshocking, drowsy soundscapes which have come before. Drake ditches the shell shocked tone for a moment and goes back to his вЂThank Me LaterвЂ™ rapping style, as he tells his story from underground hero to reigning king.ДЄ partner to вЂUnderground KingsвЂ™, вЂWeвЂ™ll Be FineвЂ™ finds Drake riffing about his past over a choppy beat that sounds not unlike вЂ™50 CentвЂ™s вЂAyo TechnologyвЂ™. Possibly the most swaggering moment of the album thus far.

Drake take care hyfr lyrics